BIOGRAPHY/CV
I always knew that I wanted music to be a part of my career. With mixing and cutting routine music for my synchronized swimming team and playing multiple instruments from a young age, music has always given me a direction and a passion to follow in life.
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I have an MM in Music Technology from NYU and BS in Audio and Music Engineering from the University of Rochester. From my education, I have focused on immersive audio research and production. My NYU Master's thesis focused on the impact of varying frequency on the perception of audio-on-audio interference in personal sound zones, collaborating with Princeton's 3D3A Lab. Other research projects/areas that I have delved into are audio parameters for AR/VR mixing, perceived realism of large sound sources using immersive recording arrays, bioacoustics features for sound source localization, and binaural externalization.
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I am currently a Ingénieur d'Études (Research Engineer) in the "Lutherie - Acoustique - Musique" (LAM) team at the Jean le Rond ∂'Alembert Institute, where I support research projects focusing on architectural acoustics and archaeoacoustics, acoustics in AR/VR, and sound perception in space.
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Alongside research, I work in recording and production. I have worked as recording engineer in multiple studios including the James L. Dolan Recording Studio and Clive Davis Institute for Recording Music in NYC, Park Studios JQ in Birmingham, UK, and Surya Sound Temple in Brooklyn, NY. The genres I work in are jazz, classical, rock, folk, and firmscoring.​​ I've assisted and worked closely with renowned engineers such as David Bowles, Paul Geluso, John Kilgore, Stephen Roessner, Mike Exeter, and Malcolm Toft.
Outside of audio, I enjoy the outdoors where I spend a lot of time climbing, hiking, and biking.​
